♡ biographique ♡
☽ @desirée ☾
☽ desirée blooms | s rank ☾
☽ luminous rose | luminous covenant ☾
☽ hot pink #ff6699 | pastel pink #ffd1dc ☾
☽ @desirée ☾
☽ desirée blooms | s rank ☾
☽ luminous rose | luminous covenant ☾
☽ hot pink #ff6699 | pastel pink #ffd1dc ☾
♡ ethereality ♡
☽ blooms of chrysalis: crystal rose demon slayer | i wip ☾
☽ gemstone guardian: rose bond | ii wip ☾
☽ succession of diamonds: divine summoning | iii wip ☾
☽ blooms of chrysalis: crystal rose demon slayer | i wip ☾
☽ gemstone guardian: rose bond | ii wip ☾
☽ succession of diamonds: divine summoning | iii wip ☾
♡ arsenal ♡
☽ cotton candy cannon | mythical wip ☾
☽ stellar sine: rosy record | multipart (a,a,l) wip ☾
☽ stellar flare | artifact wip ☾
☽ bouncy bubblegum bag | legendary+ wip ☾
☽ cotton candy cannon | mythical wip ☾
☽ stellar sine: rosy record | multipart (a,a,l) wip ☾
☽ stellar flare | artifact wip ☾
☽ bouncy bubblegum bag | legendary+ wip ☾
♡ knick-knacks ♡
☽ dragon slayer lacrima x1 ☾
☽ dragon slayer lacrima x1 ☾
- ☽ thread tracker ☾:
♡ job slots ♡
☽ dark clouds | faulkners ☾
☽ embers event | lyra karant ☾
☽ archangels of the sephiroth: guildscale | luminous rose ☾
☽ open | dm me! ☾
☽ open | dm me! ☾
☽ open | dm me! ☾
♡ social slots ♡
☽ banquet of roses | luminous rose ☾
☽ a rainbow among the roses | sakura kisagami ☾
- ☽ 158,887/550,000 ☾:
♡ redeemed threads ♡
☽mushrooms & the mage| +50 exp ☾
☽sleepytime lecture| +50 exp ☾
☽névoa of the mist| +50 exp ☾
☽first exam| + c rank ☾
☽needle & thread| +1,312 exp ☾
☽second exam| + b rank ☾
☽ descent act one | + 1,050 exp ☾
☽ descent act two | + 1,050 exp ☾
☽ descent act three | + 1,050 exp ☾
☽ rock goddess act one | + 1,050 exp ☾
☽ rock goddess act two | + 1,050 exp ☾
☽ rock goddess act three | + 1,050 exp ☾
☽ third exam | + a rank ☾
☽ stellar sparring act one | + 7,750 exp ☾
☽ stellar sparring act two| + 7,750 exp ☾
☽ canyon escort act one | + 7,750 exp ☾
☽ canyon escort act two | + 6,050 exp ☾
☽ final exam | + s rank ☾
☽ barhop w/ bones | + 6,575 exp ☾
☽ beach party event w/ the faulkners | + 112,500 exp ☾
☽ desert rose w/ leona | + 2,750 exp ☾
♡ biographique ♡
❀ @ly ❀
❀ lyrá | b rank ❀
❀ silver wolf | luminous covenant ❀
❀ pastel pink #f8d2d2 | pastel green #abcb9c ❀
❀ @ly ❀
❀ lyrá | b rank ❀
❀ silver wolf | luminous covenant ❀
❀ pastel pink #f8d2d2 | pastel green #abcb9c ❀
♡ ethereality ♡
❀ aspect of valeriya: fai miracles | i wip ❀
❀ celestial summoning: ancient keys | ii wip L ❀
❀ brainstorming | iii wip L ❀
❀ aspect of valeriya: fai miracles | i wip ❀
❀ celestial summoning: ancient keys | ii wip L ❀
❀ brainstorming | iii wip L ❀
♡ companions ♡
❀ hopper | non combat wip ❀
❀ hopper | non combat wip ❀
- ☽ thread tracker ☾:
♡ job slots ♡
❀ pocket:embers event | solo ❀
❀ open | dm me! ❀
❀ open | dm me! ❀
❀ open | dm me! ❀
❀ open | dm me! ❀
❀ open | dm me! ❀
♡ social slots ♡
❀ blankets and mini houses: intro | leona & rodanuf ❀
- 2,138 / 7,500:
♡ biographique ♡
❂ estelle ❂
❂ estëlle blooms | d rank ❂
❂ divine calamity | ironheart pact ❂
❂ orange #e86e2c | blue #13a8a8 ❂
❂ estelle ❂
❂ estëlle blooms | d rank ❂
❂ divine calamity | ironheart pact ❂
❂ orange #e86e2c | blue #13a8a8 ❂
♡ ethereality ♡
❂ zarkudis: bond | i wip ❂
❂ halfaxis: bond | ii wip L ❂
❂ volantis: bond | iii wip L ❂
❂ zarkudis: bond | i wip ❂
❂ halfaxis: bond | ii wip L ❂
❂ volantis: bond | iii wip L ❂
♡ companions ♡
❂ zarkudis | weak wip ❂
❂ halfaxis | weak wip ❂
❂ volantis | weak wip ❂
❂ elias | weak wip ❂
❂ jonas | noncombat wip ❂
❂ zarkudis | weak wip ❂
❂ halfaxis | weak wip ❂
❂ volantis | weak wip ❂
❂ elias | weak wip ❂
❂ jonas | noncombat wip ❂
- ❂ thread tracker ❂:
- 0 / 150:
So how did the classical Latin become so incoherent? According to McClintock, a 15th century typesetter likely scrambled part of Cicero's De Finibus in order to provide placeholder text to mockup various fonts for a type specimen book.
It's difficult to find examples of lorem ipsum in use before Letraset made it popular as a dummy text in the 1960s, although McClintock says he remembers coming across the lorem ipsum passage in a book of old metal type samples. So far he hasn't relocated where he once saw the passage, but the popularity of Cicero in the 15th century supports the theory that the filler text has been used for centuries.
And anyways, as Cecil Adams reasoned, “[Do you really] think graphic arts supply houses were hiring classics scholars in the 1960s?” Perhaps. But it seems reasonable to imagine that there was a version in use far before the age of Letraset.
McClintock wrote to Before & After to explain his discovery;
“What I find remarkable is that this text has been the industry's standard dummy text ever since some printer in the 1500s took a galley of type and scrambled it to make a type specimen book; it has survived not only four centuries of letter-by-letter resetting but even the leap into electronic typesetting, essentially unchanged except for an occasional 'ing' or 'y' thrown in. It's ironic that when the then-understood Latin was scrambled, it became as incomprehensible as Greek; the phrase 'it's Greek to me' and 'greeking' have common semantic roots!” (The editors published his letter in a correction headlined “Lorem Oopsum”).
So how did the classical Latin become so incoherent? According to McClintock, a 15th century typesetter likely scrambled part of Cicero's De Finibus in order to provide placeholder text to mockup various fonts for a type specimen book.
It's difficult to find examples of lorem ipsum in use before Letraset made it popular as a dummy text in the 1960s, although McClintock says he remembers coming across the lorem ipsum passage in a book of old metal type samples. So far he hasn't relocated where he once saw the passage, but the popularity of Cicero in the 15th century supports the theory that the filler text has been used for centuries.
And anyways, as Cecil Adams reasoned, “[Do you really] think graphic arts supply houses were hiring classics scholars in the 1960s?” Perhaps. But it seems reasonable to imagine that there was a version in use far before the age of Letraset.
McClintock wrote to Before & After to explain his discovery;
“What I find remarkable is that this text has been the industry's standard dummy text ever since some printer in the 1500s took a galley of type and scrambled it to make a type specimen book; it has survived not only four centuries of letter-by-letter resetting but even the leap into electronic typesetting, essentially unchanged except for an occasional 'ing' or 'y' thrown in. It's ironic that when the then-understood Latin was scrambled, it became as incomprehensible as Greek; the phrase 'it's Greek to me' and 'greeking' have common semantic roots!” (The editors published his letter in a correction headlined “Lorem Oopsum”).